Symphony of life
Dividing his time between Amagasaki and Kuala Lumpur, Soh Boon Kiong is stimulated by the multicoloured seasons of Japan and the lushness of tropical Malaysia. His creative oeuvre reflects the melodious rhythm of his environs. Immersing himself in the elements, his paintings radiate a kaleidoscope of colours in variable dynamics that ultimately compose a harmonious picture.
Orderly and controlled, Soh’s gestural expressions are calculated and organised in time – like an orchestra. His overall composition is highly distinctive – fluid splotches, organic brushstrokes and thoughtful drips mark his canvases in fluorescent orange, pink, and yellow with dark nuances of blue, green and red. Echoing the sounds of life, his paintings illustrate layers of quiet solitude, upbeat stride and then returning to tranquil peacefulness.
Guided by the 19th century French standard sizes for paintings, Soh’s ten artworks in The Painted Rhapsody of Soh Boon Kiong come in three dimensions: large (193cm by 130cm); medium (130cm by 130cm) and small (116.6cm by 91cm). Such attentiveness to detail reveals Soh’s personalities: organised, strategic and practical.
Encountering Soh’s new body of work for the first time, I am captivated by the application of colours – corresponding light and dark, thin and thick, smooth and rough. Such juxtaposition harmonises his contrasting palette with different form and shape well, resulting in fantastic treatment of space and surface.
For example, “The Fragrance of Mid-Autumn” depicts the rich autumnal colours of fall foliage in shades of yellow, orange, brown, purple, blue, red and magenta. One is able to experience the season and envisage breathing the crisp fresh air just by looking at this painting.
Portraying his oriental soul, Soh’s painting is a bridge between cultures. By incorporating Eastern sensibilities with Western artistic technique, Soh creates unique visual sanctuary that relaxes the mind and soul.
“I like to take my time when completing an artwork. I am optimistic about life and it shows in my paintings,” explains Soh.
Indeed, Soh’s positive outlook on life is aptly interpreted on canvas. Over the years, Soh’s artistic style has progressed reflecting the natural evolution in life. From softer pastel hues that characterise gentleness to richer and more intense colours to depict complexity and maturity embody this latest series of work.
In “In Praise of Elegance”, Soh combines the best of both elements seen in his past series and presently. Every gesture is premeditated in order to achieve the desired effect. For instance, if the pastel blue blobs are absent, in Soh’s mind, this painting is deemed inadequate and does not fulfil its purposes.
“My paintings may look spontaneous but they are highly organised. Even though I use dark colours in my new series, that does not convey tragedy… ,” describes Soh.
A multi-talented artist with international presence, Soh has been honing his craft since living and studying in Paris, France between 1988 and 1993. In 1998, he made Amagasaki, Japan his home, building a family of four with his wife and two children. Since then, he has established studios in Japan and Malaysia.
Soh’s exposure in different continents has enabled him to converse in five languages: Bahasa Malaysia, Mandarin, Japanese, English and French. His flair for linguistics allows him to illustrate a universal language through his visual expressions.
From 2010 to 2014, Soh was a Resident Artist at the prestigious University of Malaya by the invitation of former Vice-Chancellor, Tan Sri Dr. Ghauth Jasmon. During his residency, Soh created colossal paintings that are currently hanging at the lobby of penthouse floor, Wisma R&D, University of Malaya, Kuala Lumpur.
In 2018, Soh’s painting entitled The Intermingling Notes was fleetingly featured in a scene in “Crazy Rich Asians”, an American movie starring Michelle Yeoh, Henry Golding, Constance Wu, Ronny Chieng and Ken Jeong.
In the scene “What About Your Cousin Eddie?”, Soh’s painting adorns the wall of Eddie Cheng’s (played by Ronny Chieng) penthouse in Hong Kong. This piece of information may seem insignificant. But for Soh, the experience of signing a consent letter by one of Hollywood’s biggest production companies, Warner Bros Pictures, to loan his artwork for “the highest-grossing romantic comedy film in a decade” is an honour that is rarely granted to Malaysian artists.
What comes next for Soh? His future is certainly as bright as his artworks in “The Painted Rhapsody of Soh Boon Kiong”. And a partnership with PINKGUY gallery will certainly enhance his profile in the Malaysian contemporary art scene.
Sarah Abu Bakar, November 2019
The Painted Rhapsody of Soh Boon Kiong is on display at PinkGuy Gallery in Bangsar from December 7 to 21, 2019.